2009-2010 SEASON
The Cemetery Club
Written by Ivan Menchell
September 2010
Ghost of a Chance
Written by Flip Kobler & Cindy Marcus
November 2010
Whose Wives are They Anyway?
A Farce by Michael Parker
February 2011
Lend Me A Tenor
Written by Ken Ludwig
May 2011
____________________________________________
PAST SEASONS
Listed below are links to our past seasons. We are currently working on collecting and scanning all the data for these performances. These web pages are works in progress, so please excuse any broken links. However, feel free to look around.
2010-2019 Performances
2000-2009 Performances
1990-1999 Performances
1980-1989 Performances
1970-1979 Performances
1963-1969 Performances
____________________________________________

Three Jewish widows meet once a month for tea before going to visit their husband's graves. Ida is sweet tempered and ready to begin a new life, Lucille is a feisty embodiment of the girl who just wants to have fun, and Doris is priggish and judgmental, particularly when Sam the butcher enters the scene. He meets the widows while visiting his wife's grave. Doris and Lucille squash the budding romance between Sam and Ida. They are guilt stricken when this nearly breaks Ida's heart.


____________________________________________
Bethany is bright, strong, independent, beautiful and has zero self esteem. She has brought her finance, Floyd, and his mother, Verna, up to her cabin in the woods, the site of the hunting accident that killed Chance, her first husband. Much to her consternation, he or rather, his ghost is still there. Only Bethany can see him, so Floyd and Verna think she is crazy as she frantically tries to get rid of, well, it seems to them nobody. Chance, meanwhile, is doing everything he can to prevent Bethany from marrying Floyd. Bethany even brings in a delightfully kooky psychic to help deal with the ghost of Chance.


____________________________________________

The Ashley Maureen Cosmetics Company has been sold and two of its vice presidents, David McGrachen and John Baker, have planned a weekend off before the new C.E.O. arrives on Monday. With their wives safely off on a shopping spree in New York City, they check into The Oakfield Golf and Country Club intending to "golf their brains out." They unexpectedly encounter their new boss, Ms. Hutchison, and she insists on meeting the wives, commenting blithely "no one who went golfing for a weekend without his wife would ever work for me." So ... David and John have to produce wives. John persuades Tina, the hotel's sexy receptionist, to play the role of his wife, but the only one who can pretend to be David's wife is John. Inevitably everything goes wrong as John moves in and out of bedrooms, changing from male to female at a frantic pace. Hilarious chaos ensues when the hotel phone system goes on the blink, Tina has too much champagne and can't keep her clothes on, and, yes, the real wives arrive!


____________________________________________
This night in September of 1934 is the biggest in the history of the Cleveland Grand Opera Company world famous tenor Tito Morelli is to perform Otello, his greatest role, at the gala season opener. Saunders, the General Manager, hopes this will put Cleveland on the operatic map. Morelli is late; when he finally sweeps in it is too late to rehearse with the company. Through a hilarious series of mishaps, Il Stupendo is given a double dose of tranquilizers which mix with the booze he has consumed and he passes out. His pulse is so low that Saunders and his assistant Max believe he is dead. What to do? Max is an aspiring singer and Saunders persuades him to get into Morelli's Otello costume and try to fool the audience into thinking he's Il Stupendo. Max succeeds admirably, but Morelli comes to and gets into his other costume. Now two Otellos are running around in costume and two women are running around in lingerie, each thinking she is with Il Stupendo!

